Kunal Kohli, known for his earlier hit Hum Tum, which was released in 2004, expressed his surprise at the lack of support for Dhurandhar. He stated, “Nobody supported Dhurandhar. The biggest directors I spoke to said, ‘Monday ko baith jayegi.‘ But it only gained momentum after its release, proving them wrong.

Notably, Dhurandhar has also become the first Indian franchise to earn over Rs 3000 crores globally. Kohli’s journey in the industry has been marked by both success and setbacks, including his film Mujhse Dosti Karoge! which flopped at the box office.

In a recent conversation, Rakesh Roshan congratulated Kohli, highlighting the film’s impressive performance, particularly during a 12:30 pm show in Indore, where it was houseful. Roshan remarked, “Kunal, your film is a big hit. The biggest of big films fail to do that.” This acknowledgment underscores the film’s unexpected triumph.

As Kohli reflects on his career, he noted a prevailing sentiment in the industry: “99% of the people in the industry don’t want you to succeed.” This statement sheds light on the competitive nature of Bollywood and the challenges filmmakers often face.

With Dhurandhar’s success, Kohli’s reputation as a filmmaker is likely to evolve. The film’s release in December 2025 has already set high expectations for future projects. However, it remains to be seen how this success will influence Kohli’s relationship with other industry professionals.

As the dust settles on this box office phenomenon, questions linger about the future of Kunal Kohli and the broader implications for the Bollywood film industry. Will this success change the dynamics of support among filmmakers, or will skepticism continue to prevail?

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The ‘Dhurandhar’ franchise has emerged as a monumental success in the Bollywood film industry, rewriting box office records and captivating audiences worldwide. Prior to the recent developments, expectations were high for the sequel, ‘Dhurandhar: The Revenge’, especially after the first installment grossed over Rs 1300 crore globally. However, the spotlight has recently shifted to Vikash Nowlakha, whose contributions have been recognized by director Aditya Dhar and actor Ranveer Singh.

In a decisive moment that has garnered attention, Aditya Dhar described Vikash Nowlakha as the “soul” of ‘Dhurandhar’, emphasizing his foundational role in the film’s execution. This praise comes in the wake of the sequel surpassing Rs 1500 crore globally, solidifying the franchise’s status as a cinematic powerhouse. Vikash, who joined the project just days before filming began, has quickly become an integral part of the team.

The immediate effects of this recognition are profound for both Vikash and the franchise. Aditya Dhar’s acknowledgment of Vikash’s emotional intelligence and meticulous attention to detail in cinematography has not only elevated Vikash’s profile in the industry but also reinforced the collaborative spirit that drives successful filmmaking. Actor Naveen Kaushik echoed this sentiment, praising Vikash’s work ethic and commitment to the project.

Vikash Nowlakha’s previous experience on films like ‘Rocket Singh: Salesman of the Year’, ‘Laapataa Ladies’, and ‘Brahmāstra Part One: Shiva’ has equipped him with the skills necessary to contribute meaningfully to ‘Dhurandhar’. His dedication is evident in his own words: “I’ve waited 30 years to do a film like this. I’ll give my life to it.” This level of commitment speaks volumes about his passion for the project and the industry as a whole.

As the ‘Dhurandhar’ franchise continues to achieve massive global milestones, the praise from Aditya Dhar and Ranveer Singh serves to highlight the importance of teamwork in filmmaking. Ranveer Singh referred to Vikash as the “unshakeable, unbreakable Rock of Dhurandhar”, further solidifying his reputation within the team. Such endorsements not only enhance Vikash’s standing but also set a precedent for future collaborations within the industry.

Experts in the film industry note that the success of a franchise like ‘Dhurandhar’ is often attributed to the synergy between its creative team members. The recognition of Vikash Nowlakha’s contributions illustrates a growing trend in Bollywood where collaborative efforts are increasingly celebrated. Aditya Dhar’s desire to work with Vikash on future projects underscores the potential for continued success.

The ‘Dhurandhar’ franchise’s remarkable journey reflects a broader narrative within Bollywood, where emerging talents are being recognized for their contributions. As Vikash Nowlakha continues to make his mark, the industry watches closely, eager to see how this newfound recognition will influence his career and the future of the franchise. Details remain unconfirmed regarding any upcoming projects, but the momentum generated by this praise is undeniable.

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Aneet Padda, known for her role in the film Saiyaara, has gained recognition in the industry, but it is her sister Reet who has taken a more vocal stance on various cinematic portrayals. Reet Padda has labeled the film Dhurandhar as propaganda, arguing that it serves a government-friendly narrative by using political speeches to justify controversial events such as demonetization. “Dhurandhar serves as a government-friendly narrative, using political speeches to justify events like demonetisation. Call it propaganda? Yes. Deny it? Not a chance,” she stated.

Reet Padda has also criticized Priyanka Chopra for her lack of response during the Oscars when a co-host expressed support for Palestine. “She has an opportunity to denounce an unlawful war alongside someone taking a stand, and…she can’t even applaud,” Reet remarked, highlighting the perceived responsibility of public figures to engage with pressing global issues.

Moreover, Reet Padda has raised concerns about the exaggerated narratives presented in films like The Kashmir Files and The Kerala Story. She pointed out that these films claim that 32,000 women were converted to Islam, while the actual number of cases is closer to 100. This discrepancy, she argues, is indicative of a broader trend where films that contradict the government’s agenda struggle to find a platform for release.

Reet Padda’s criticisms extend beyond cinema; she is an advocate for human rights and has expressed her disapproval of political figures who intertwine religion with politics, especially when it leads to violence. “I do not discriminate against individuals. However, I strongly oppose political figures who bring religion into politics, especially when it leads to violence. That is a crime, and I will speak against it,” she asserted.

The Padda sisters’ comments come at a time when the film industry is increasingly scrutinized for its role in shaping public perception and political narratives. Aneet Padda’s rise to fame with Saiyaara has placed her in a position where her sister’s outspoken views could impact her career, as Reet has indicated that she would not hesitate to call out any perceived inaction by Aneet in the face of such issues.

As the conversation around the intersection of cinema and politics continues, it remains to be seen how the film industry will respond to these criticisms. Will more actors and filmmakers take a stand against propaganda in cinema, or will they remain silent? The future of this dialogue is uncertain, and details remain unconfirmed regarding how these discussions will evolve within the industry.

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The release of Dhurandhar 2: The Revenge has marked a significant milestone in Indian cinema, achieving record-breaking collections at the box office. The film, directed by Aditya Dhar, grossed an impressive ₹172.60 Crore on its opening day alone, setting the stage for a remarkable performance.

In just four days, Dhurandhar 2 has grossed a staggering ₹541.97 Crore, positioning it as the second highest-grossing film after Pushpa 2 during this period. This rapid financial success indicates a strong audience reception and a growing trend of sequels outperforming their predecessors in the Indian film industry.

The original Dhurandhar film had previously grossed over ₹1000 Crore at the Indian box office, and early projections suggest that Dhurandhar 2 is on track to surpass this milestone. The trend of sequels achieving greater success than their original counterparts has become a defining pattern in Indian cinema, reflecting changing audience preferences.

As the film continues to draw audiences, industry experts are closely monitoring its performance to see if it can maintain its momentum. With the current trajectory, Dhurandhar 2 is expected to outperform its predecessor, further solidifying its place in the cinematic landscape.

While the initial figures are promising, the full extent of the film’s success will depend on audience reception in the coming weeks. Details remain unconfirmed regarding its long-term box office potential, but the excitement surrounding Dhurandhar 2 suggests a bright future ahead.

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Nabil Gabol, a prominent Pakistani politician and tribal chief from Lyari, Karachi, has recently made headlines due to his dissatisfaction with the portrayal of a character inspired by him in the film Dhurandhar: The Revenge. Gabol, who has served multiple terms in the National Assembly and is currently representing the Pakistan Peoples Party (PPP), expressed his concerns regarding how the character Jameel Jamali reflects on him.

Born on November 16, 1962, Gabol is 63 years old as of March 2026 and has a long-standing political career, having served in the National Assembly from 2002 to 2015 and again from 2024 to the present. His political journey includes a notable tenure as the youngest Deputy Speaker of the Sindh Assembly from 1993 to 1996 and as the Minister of State for Ports and Shipping from 2008 to 2011.

In his recent statements, Gabol criticized the filmmakers, stating, “It’s not me. Don’t believe whatever is depicted in the film. It’s a crooked attempt by Indian filmmakers to deliberately distort and malign my character. But that’s not me.” His remarks highlight his concern that audiences might confuse the fictional portrayal with reality, potentially leading to misconceptions about his character.

Gabol’s apprehension stems from the fact that the character Jameel Jamali in Dhurandhar is loosely based on him, a detail he acknowledged during the release of the film’s first part. However, he now fears that the sequel’s representation could lead viewers to mistakenly perceive him as an Indian spy.

In addition to his concerns about the film, Gabol has faced online trolling for his differing views on the character’s portrayal between the two parts of the film. This backlash reflects the contentious nature of political figures being depicted in popular media.

As the debate continues, Gabol’s statements have sparked discussions about the responsibilities of filmmakers in accurately representing real-life figures, particularly in politically charged environments. His call for a more truthful depiction resonates with many who believe that artistic liberties should not come at the cost of personal integrity.

The situation remains dynamic, with Gabol’s comments drawing attention to the intersection of politics and entertainment in Pakistan. As reactions unfold, it will be interesting to see how this controversy influences public perception of both Gabol and the film.

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The central question surrounding the release of Dhurandhar: The Revenge is how well it performed at the box office. The answer is striking: the film achieved a staggering ₹240 crore gross worldwide on its opening day, marking the highest opening day gross for a Bollywood film.

On March 18, 2026, Dhurandhar 2 earned ₹43 crore net domestically from paid previews, setting the stage for its official release. Following this, on March 19, the film garnered ₹102 crore net in domestic collections on its release day, bringing its total domestic collections after one day to ₹145 crore net.

This impressive performance not only highlights the film’s popularity but also indicates a significant shift in audience engagement with Bollywood films. The previous record for the highest opening day gross was held by Shah Rukh Khan’s Jawan, which earned ₹129 crore. Dhurandhar 2 has now surpassed this benchmark, showcasing its strong appeal.

Internationally, Dhurandhar 2 earned almost $7 million on its opening day, with its total international haul exceeding $9 million. This global reception further emphasizes the film’s widespread appeal and the effectiveness of its marketing strategy.

Directed by Aditya Dhar and featuring Ranveer Singh in the lead role, Dhurandhar: The Revenge released after a strong buildup of anticipation. The film’s success can be attributed to its engaging storyline, star power, and effective promotional campaigns.

As the film continues to screen across various markets, industry experts are keenly observing its trajectory. The next few days will be crucial in determining whether Dhurandhar 2 can maintain its momentum and further break box office records.

Details remain unconfirmed regarding the film’s performance in international markets beyond the initial figures, but early indications suggest a strong reception. The film’s success could pave the way for more ambitious projects in the Bollywood industry.

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Dhurandhar, a two-part film, has sparked discussions about its authenticity, particularly regarding its ties to real-life geopolitical events and figures. The narrative of Dhurandhar 2 is inspired by significant historical conflicts between India and Pakistan, making it a subject of intrigue for audiences familiar with these events.

One of the film’s central characters, Major Iqbal, is based on Ilyas Kashmiri, a figure linked to the infamous 26/11 Mumbai attacks. This connection adds a layer of realism to the film, as it intertwines fictional narratives with actual historical incidents that have shaped the region’s security landscape. Similarly, the character of SP Chaudhry Aslam draws inspiration from a real-life police officer who tragically lost his life in a suicide car bombing, further grounding the film in reality.

Additionally, Ajay Sanyal, a character in the film, is modeled after Ajit Doval, the National Security Advisor of India. This portrayal reflects the complexities of national security and intelligence operations, which are critical in the context of Indo-Pak relations. Observers note that such characterizations not only enhance the film’s narrative but also provoke thought about the real-life implications of these figures’ actions.

Other characters, such as Jameel Jamali, are based on real individuals like Nabil Gabol, a former member of Pakistan’s National Assembly, while Uzair Baloch represents a notorious gangster of the same name. These portrayals highlight the intertwining of crime and politics in the region, which has been a recurring theme in both media and real life.

The film also references the notorious gangster Dawood Ibrahim through the character Bade Sahab, adding another layer of complexity to its narrative. The deaths of several characters in the film, including Azam Cheema and Sajid Mir, are inspired by actual events, further blurring the lines between fiction and reality. This approach has led to a mixed reception, with some praising the film’s ambition while others question its portrayal of sensitive subjects.

Moreover, the plot of Dhurandhar 2 is loosely inspired by the 2014 Indian general election, a pivotal moment in India’s democratic process. The film’s narrative intertwines with real-life events such as the 2016 Indian banknote demonetization, which is linked to the character Hamza’s mission. This connection to recent history adds a contemporary relevance to the film, inviting viewers to reflect on the ongoing socio-political dynamics in the region.

As audiences engage with Dhurandhar, the film’s ability to resonate with real-life events raises questions about the ethical implications of dramatizing such narratives. While the film aims to entertain, it also serves as a commentary on the complexities of the geopolitical landscape in South Asia. Details remain unconfirmed regarding the extent to which these portrayals align with the actual events and figures they represent, leaving viewers to ponder the balance between artistic license and factual representation.

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Dhurandhar: The Revenge has made a significant impact at the box office, collecting nearly Rs 100 crore nett on its opening day, as reported on March 19, 2026. The film, directed by Aditya Dhar and starring Ranveer Singh, has quickly become a major talking point in the Indian film industry.

On its premiere night alone, the film earned Rs 43 crore nett, showcasing a strong start that has set the tone for its performance in the days to come. After just two days, the total collection stands at an impressive Rs 143 crore nett.

In addition to its remarkable opening day figures, the gross collection in India, including previews, has reached Rs 172.63 crore. The Hindi version of the film contributed significantly, bringing in Rs 99 crore on Day 1, while the Telugu and Tamil versions added Rs 2.12 crore and Rs 1.16 crore, respectively.

As the film continues to draw audiences, it is expected to benefit from an extended opening weekend, particularly due to the upcoming Eid holiday. Industry experts project that the total collection for the weekend could reach as high as Rs 500 crore.

Critics have responded positively to the film, with India Today describing it as “loud, political, and deeply character-driven, refusing to play safe at any point.” This critical acclaim may further boost its box office performance.

Dhurandhar: The Revenge is a sequel in the Dhurandhar franchise, and its strong opening indicates a growing audience interest in the series. The film’s success reflects the effective marketing strategies and the star power of Ranveer Singh.

As the box office numbers continue to roll in, the film’s team is optimistic about maintaining momentum in the coming days. Details remain unconfirmed regarding the film’s international performance, but domestic success is evident.

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Before the recent developments, Aditya Dhar was already a recognized name in the Indian film industry, primarily known for his directorial debut with ‘Boond’ in 2009 and the massive success of ‘Uri: The Surgical Strike’. This film not only established him as a talented director but also set high expectations for his future projects. Fans and critics alike anticipated that Dhar would continue to deliver compelling narratives that resonate with audiences.

A Decisive Moment: The Release of Dhurandhar

The turning point in Dhar’s career came with the release of ‘Dhurandhar’ on December 5, 2025. The film grossed an impressive ₹1,300 crore globally, significantly elevating Dhar’s status in the industry. This success was a clear indication of his ability to create commercially viable and critically acclaimed films. Following this, the anticipation for his next project, ‘Dhurandhar: The Revenge’, set to release on March 19, 2026, has been building steadily.

Immediate Effects on Aditya Dhar and His Collaborators

With the success of ‘Dhurandhar’, Aditya Dhar’s net worth, combined with that of his wife, actress Yami Gautam, has surpassed 100 crore. This financial success has allowed Dhar to command a fee of 8-10 crore per film, reflecting his growing influence in the film industry. Furthermore, the release of the first song from ‘Dhurandhar 2’, titled ‘Aari Aari’, on his birthday, March 12, 2026, has added to the excitement surrounding the film. The song features notable artists, including Navtej Singh Rehal and Jasmine Sandlas, showcasing Dhar’s commitment to high-quality production.

Expert Perspectives on the Shift

Industry experts have noted that the success of ‘Dhurandhar’ has positioned Aditya Dhar as a leading figure in contemporary Indian cinema. His ability to blend engaging storytelling with commercial appeal has set a new standard for filmmakers. As one expert remarked, “Aari Aari sets the tone for the film,” indicating that Dhar’s creative choices continue to resonate with audiences. Additionally, the rumored cameo of Yami Gautam in ‘Dhurandhar 2’ is expected to enhance the film’s narrative, although details remain unconfirmed.

Looking Ahead: The Future of Aditya Dhar

As Aditya Dhar prepares for the release of ‘Dhurandhar: The Revenge’, the film is anticipated to further solidify his reputation as a prominent director in Bollywood. The premiere screenings in the USA and Canada on March 18, 2026, are expected to attract significant attention, with over 250 screens in India and an equal number overseas for the film’s re-release. This strategic approach highlights Dhar’s understanding of the global market and his intent to reach a wider audience.

Conclusion: A Year of Growth and Anticipation

In summary, Aditya Dhar’s journey over the past year has been marked by remarkable achievements and growing expectations. His films have not only performed well at the box office but have also contributed to his rising status within the industry. As he continues to push creative boundaries, the film community eagerly awaits the next chapter in his career.

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The inauguration of Allu Cinemas by Telangana Chief Minister Revanth Reddy marks a significant development in Hyderabad’s entertainment sector. This multiplex, which is set to open for patrons on March 18, 2026, features the first Dolby Cinema in India and is the world’s third largest Dolby Cinema.

Allu Cinemas boasts four screens and is expected to serve audiences from Kokapet, Financial District, Gandipet, and Narsingi. The launch event was telecast live, highlighting the importance of this venture in the local film industry.

Allu Arjun, a prominent figure in the Telugu film industry, emphasized that Allu Cinemas is a passion project rather than a real estate venture. He expressed gratitude to the Telangana government for their support, stating, “Firstly, I would like to thank honorable Chief Minister Revanth Reddy garu for gracing the event and launching Allu Cinemas.”

The Wall of Fame at Allu Cinemas features pictures of various directors, although it has faced criticism regarding the selection of those featured. This aspect has sparked discussions about representation in the film industry.

Construction of Allu Cinemas took one and a half years, and its opening coincides with the eve of Ugadi on March 19, 2026. The multiplex is strategically located in a high-cost area where no proper multiplex screens were previously available.

Allu Arjun stated, “We wanted to raise the bar of the entertainment industry with Allu Cinemas,” indicating a commitment to enhancing the cinematic experience for audiences. The multiplex will premiere the film Dhurandhar: The Revenge during its opening week.

Despite the excitement surrounding the launch, some controversies have emerged. As Allu Arjun noted, “There will be no end to such controversies,” suggesting that public discourse will continue as the cinema becomes a focal point in the community.

As the opening date approaches, anticipation builds for what Allu Cinemas will bring to Hyderabad’s vibrant film culture. Details remain unconfirmed regarding future programming and additional features that may be introduced post-launch.

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